It was in 2021 that trumpeter Paul (Harry) Dowler managed to bring together a small group of semi-professional jazz musicians and convince them that the year 1959 was not only the pinnacle of mainstream jazz, but it was also the year of his birth so they should form an “Old-Fashioned Jazz Combo” and call it “Jazz 59 Quintet”. Later it became a sextet consisting of trumpet, saxophone, guitar, bass, drums and keyboard. In 2021 Paul and his wife Heather decided to organise a Charity Jazz Concert which was a such a success that they realized not only were they enjoying themselves but that they had inadvertently created a unique fundraising vehicle – so they convinced the performers that if they claimed just travel expenses they would be raising funds for a very good cause. A wonderful idea – and it worked!


Jazz is a fusion of African and European music and was developed in the USA in the early part of the 20th century and was well established by the year 1959! The rhythmic and chordal features used then are still evident in our modern era. The programme began with a powerful, cadenza-like solo from Paul demonstrating the full range of the instrument, before being joined by the rest of the group. As is the tradition, each member of the group had the opportunity to perform his own variation of the main theme thus making us aware of what a talented group they are. It was a varied programme from the slow, lazy feel of “Blue in Green” then “Yesterday” and “Beautiful Love” to the lively “Moments’ Notice” and it was obvious that they really enjoyed performing together. There was extra applause after “When I Fall in Love” in which Paul had used two trumpets, one in each hand, (one muted to produce the tonal variation for the alternate lines of the lyrics). It was a most enjoyable performance. In contrast “One for Daddy O” brought the concert to a close with lots of toe-tapping and smiles all round. There was much well-deserved applause - and admiration of their snazzy waistcoats!

The September meeting was an evening of music performed by CHIMERA – a quartet of flute (Clare Preston), bass (Anese Cullington), drums (Robin Payne) and piano (Helen Porter).

The programme consisted of classical pieces by Debussy (d.1918) and Faure (d.1924) and works for flute and jazz trio by Claude Bolling and Jacques Loussier (both present day composers).There were several movements from Bolling’s Suites Nos. 1 and 2 providing contrast in style and instrumentation with two solos by Debussy. The first “Dr. Gradus” for piano from his Children’s Corner Suite played with real style and very nimble finger work by Helen. Then later we heard “Syrinx” for unaccompanied flute. Clare’s beautiful tone and fantastic breath control were evident throughout.

“Play Bach – Prelude No. 1” provided us with a clear contrast between an opening section in true Baroque Bach style followed by a jazz interpretation – quite fascinating.

The evening ended with three more movements from Bolling. ”Pastorale”, gentle and lyrical, then “Affectueuse” in which Clare played her alto flute. Members were delighted by the deeper tone quality of this instrument and afterwards she was very happy to chat to them and answer their questions. The third piece, “Veloce” as the name suggests was a fast and very rhythmic piece which had everyone tapping their feet. This was a fitting finale for the quartet: their ensemble playing was excellent throughout and their genuine pleasure in performing together delighted the audience. We hope that they will perform for us again in the future.

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