"Sax a Trois"
April 21, 2023
“Sax a Trois” was the group of musicians who entertained us at our April meeting and what a talented group they were. Anna Young, Paynor Tsate and Samantha Matthews from the Birmingham Conservatoire have all won prizes for their solo performances and as members of trios and quartets. The accompanist was Charles Matthews, a tutor in piano and organ at the Conservatoire. He is in great demand for his legendary accompanying skills not just at the Conservatoire but also in the wider circle of professional music making.
The programme consisted of a trio to both begin and end the entertainment with each student playing a solo piece in each half of the programme.
“Dance for three Saxophones” (originally for three violins) arranged by Charles Matthews set the scene with a very robust and rhythmic performance with excellent attention to detail. Anna then played “Fuzzy Bird Sonata” by Tokashi Yoshimatsu in which after several attempts Fuzzy Bird finally manages to take flight. After the interval Anna played Vocalise by Messiaen which demonstrated her beautiful legato tone quality. Paynor chose “Majorca” by Albeniz which, as expected, displayed a real Spanish atmosphere particularly as Paynor was very keen to highlight the rhythmic content. For his second piece he chose “Escapades” (from the film “Catch me if you can”) by John Williams. After the opening section the mood became mysterious with a rather free rhythmic content before ending with “Joy Ride” which brought the piece to a very lively conclusion. Samantha played “Concerto” in three short movements by Lee Actor and in the second half she played the soprano saxophone and played “Fujiko” by Andy Scott. This demonstrated her control of the instrument and her beautiful smooth legato playing as the piece ended very softly and mysteriously. The final piece is best known when played by three violins but Pachelbel’s “Canon” nevertheless was an interesting choice and in the hands of such talented performers one could always hear the melody as it is passed from one player to the next.
Charles, as usual, was superb in the way he coped with some unbelievably difficult accompaniments and, after an evening of excellent music-making, the performers were rewarded with long, enthusiastic and well-deserved applause.